Funded by a grant from the CSU Entertainment Industry Initiative, the CSU Stanislaus Art Department is hosting a series of guest workshops for CSU Art Majors around the theme of storytelling in the digital arts.
Maria Judice is a visual storyteller working within cinema, photography, tech and digital content. She received her MFA from CALARTS in Film/Video. She received the Adrienne Shelly Award for excellence in directing. Director awards were garnered for her films Palm Trees… and moonless. Palm Trees… aired on BET’s Lens on Talent. As a Creative Producer, she works within photography, film, web TV, art curation and gaming. Her mission is to help underrepresented artists bring their stories to the world.
This series of workshops will conclude with a public exhibition of student work in the CSU Stanislaus’ Building Imagination Center. Limited to Stanislaus State students only.
Funded by a grant from the CSU Entertainment Industry Initiative, the CSU Stanislaus Art Department is hosting a series of guest workshops for CSU Art Majors around the theme of storytelling in the digital arts.
Christy Chan is an interdisciplinary artist and filmmaker based in Oakland, California. She uses video art, installation, and performance to examine the American mythologies of home, belonging and social harmony. Her independent film project “Pen Pals” is inspired by her childhood experience exchanging letters with the Ku Klux Klan on behalf of her immigrant family. Chan holds an M.A. in Communications from Virginia Commonwealth University and was a recent Artist-in-Residence at Montalvo Art Center and Project 387. Her work has been exhibited at galleries, film festivals and public venues including Southern Exposure, Root Division, Kala Art Institute, National Public Radio, the Los Angeles Film Festival’s Shorts Series, the Moth and more.
This series of workshops will conclude with a public exhibition of student work in the CSU Stanislaus’ Building Imagination Center. Limited to Stanislaus State students only.
July 1 to August 13, 2016
Skin Ego: an exploration between boundaries, nature and the imaginary
Rebecca Weisman is a Vermont based video installation artist whose work uses body, performance, site specificity, and the natural world to explore hidden or psychological dimensions of reality. Known for both her single-channel videos, and large-scale video installations, she weaves together ideas about the body, gender, psychoanalysis, landscape, and non-human life. Her installations use video, sound, and sculptural objects to tell deconstructed stories that are often fragmented, process-based, and rich with free-associations.
Lida Winfield is a Vermont based dance artist. She develops and creates dances that are quirky, provocative, and physically honest. Lida challenges herself and her audiences to participate in dance as an open dialogue. Her dances tell stories, ask questions, explore limits, and celebrate beauty in what is awkward, raw, and vulnerable. She is inspired by the human capacity to cope, to imagine and to transform. Her work is informed by wilderness, socioeconomic divides, disabilities, access, the search for place or home, the magical and the quiet details of everyday life.
August 22 to September 24, 2016
Reception Thursday September 8,2016 at 5:30 pm; Artist Talk at 6:30 pm
As an activist, educator and artist of Native American, Xican@ and queer roots I have found community and culture to be my greatest artistic inspiration. To create with the collective minds of unique individuals is a practice that brings to me a great spiritual catharsis; a feeling of joy and power tied to the realization of what people working together can accomplish when in harmony: a home, a shared reality, justice, and healing. As such, my art practice is primarily tied to mediums that necessitate community participation: filmmaking, video art, performance, large-scale installations, and curating. The looks of my work are as diverse the communities who create them, but most contain a sense of macabre, camp, Xican@/Native sensibility: A feature length, all drag sequel to the 1984 Chicano classic La Bamba; A projection mapping video aimed at the floor displaying a shadow entombed in flowers and candles made as memory to our fallen trans and queer Latin@ brothers and sisters who have been largely ignored by society; a marathon Dia de los Muertos dance party and VJ installation set to the music of all dead musicians complete with an Eazy E pinata. As a result our creative collaborations are mutual investigations into the unknown depth of our cultures, identities, desires, fears, joys and communities. See his work at: www.vimeo.com/RobFatal